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The Autopsy of Jane Doe is a 2016 American supernatural horror film directed by André Øvredal. It stars Emile Hirsch and Brian Cox as father-and-son coroners who experience supernatural phenomena while examining the body of an unidentified woman (played by Olwen Kelly). It premiered at the Toronto International Film Festival on September 9, 2016, and was released on December 21. It is Øvredal's first English-language film.

Plot 

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An unidentified corpse of a woman is found half-buried in the basement of a house where a bloody and bizarre homicide has occurred. One of the police officers concludes that there are no signs of forced entry and the victims seemed to be trying to escape the house instead.

Small-town coroner Tommy Tilden and his son Austin, a medical technician who assists him, have just finished the autopsy of a burned corpse when Austin's girlfriend, Emma, arrives and gets curious about the bodies in the morgue. When she notices a bell tied to the ankle of a dead body, Tommy explains to her that, in the past, the bells were used to signal if someone was actually just in a comatose state instead of really dead. The sheriff arrives with the mysterious body and tells Tommy that he needs the cause of death (COD) by morning. Austin decides to help his dad instead of going to the cinema with Emma, but asks her to come back later. It's also revealed that Austin plans to leave to another city with his girlfriend, as he dislikes the job and he only does it to help his dad.

Since no one knows the body's identity and its fingerprints are not on police records, they name it Jane Doe. Austin and Tommy start the autopsy with an external examination of the corpse, which has no visible signs of trauma and no scars or marks. They discover that her eyes are cloudy, which is something that usually only happens to bodies that have been dead for a few days, yet the corpse looks fresh. They find that her wrist and ankle bones are shattered without any outward signs of injury. They extract from her nails and hair a kind of peat that is only naturally found in the northern U.S. They also discover that her tongue has been non-surgically removed and one of her teeth is missing. Tommy proceeds to examine her vagina and concludes that it was mutilated.

They begin the internal examination as the radio they listen to starts to randomly switch channels by itself. When Tommy cuts her chest open, the corpse bleeds profusely, something that usually only happens to fresh corpses. Tommy attributes her abnormally small waist to the use of a corset, which were commonly worn by women in the past. Austin discovers that the blood he stored in the freezer strangely started to leak. Examination of her lungs reveals that they are severely blackened, which is consistent with someone who has suffered third-degree burns. Her internal organs reveal numerous cuts and scar tissue, likely from repeated stabbing. Tommy is accidentally hurt by the corpse while he tries to separate its skin.

Austin hears a sound outside the examination room and sees a figure standing in a mirror, but finds nothing once he turns around. He then discovers that the sound is coming from an airshaft; where he finds their cat, Stanley, badly hurt and bleeding in the vent. Tommy kills Stanley out of mercy and burns his body in the cremation furnace. Back in the examination room, they find Jimson Weed in her stomach, a paralyzing agent that, again, is only found in the north of the country. Austin hears over the radio about a strong storm coming and wants to leave. Tommy states that he will finish what he started, and Austin concurs.

Later, Tommy finds her missing tooth wrapped in a piece of cloth in her stomach. They find Roman numerals, letters, and a drawing on the cloth. When Tommy finally separates the skin on her chest from the body, they find similar symbols on the inside of her skin. All the lights in the room suddenly explode. During the confusion, they see that the storage chambers are empty, and that the three corpses inside them are missing. They decide to leave, but the elevator does not work and something is blocking the door. Tommy tries to call the sheriff using a landline, but the connection is disrupted. They hear a bell in the hallway, presumably from the movement of now living corpses, and the office door violently starts to bang, only to suddenly stop.

Austin says that everything is caused by the mysterious body. Tommy is attacked in the bathroom by an unseen figure. He has bruises on his body but only saw the attacker's grey eyes. They decide to burn Jane Doe's body in the cremation furnace, but the door to the autopsy room locks on its own, trapping them inside. Austin breaks a hole in it with an axe and, through the hole, sees one of the living corpses. They then choose to burn her in the examination room, but the fire spreads wildly and burns the camera that was recording the autopsy. They manage to put out the fire using a fire extinguisher, but the body is not burned at all. The elevator turns back on and they rush to get in; however, the door does not close completely. In the ensuing chaos, Tommy uses an axe to attack the living corpse that appeared to be chasing them, but it turns out to be Emma. Emma's death from the injury devastates Austin and leaves Tommy ridden with guilt.

Austin says that the corpse has been stopping them finding out the truth, and as they decide to go back into the examination room the cremation furnace produces smoke which makes them unable to see. Tommy is violently attacked in the smoke. However, they eventually make it into the examination room, and Austin opens her skull. The brain tissue cells turn out to still be active, to the surprise of both of them. Tommy deduces that some mysterious force is keeping her alive. Austin folds the piece of cloth and discovers the name of a passage from the Bible and that the Roman numerals read 1693. Tommy finds the corresponding passage in the Bible, Leviticus 20:27, that condemns witches. Austin concludes that she must be a witch who died during the Salem trials, since all of the evidence adds up. Tommy rebuts this by stating that those women were not actually witches, it was only a case of mass hysteria, and that her injuries are not similar to the methods used during the trials. He then says that probably the very things that were done to her made her a witch instead and that now she wants revenge. Tommy then sacrifices himself to the witch, in the hope that she will not harm Austin. The witch's body begins to heal as Tommy suffers the same horrific injuries she suffered. Austin is forced to kill his father in order to end his misery. The lights and radio promptly come back on. Austin hears the sheriff calling to him from outside the building, and runs up the stairs to meet him. The voice turns out to be another hallucination. Austin turns around to see his dead father standing next to him. Startled, he falls backward over the railing and dies from his injuries.

The police arrive the next morning. The radio announces the fourth sunny day in a row, indicating that the previous night's storm and all of the incidents only happened in Tommy and Austin's imagination, controlled by the witch. A police officer notices no signs of forced entry and is again confused by another inexplicable crime scene. The Jane Doe body is then transported to another county. The last glimpse of her reveals a twitch of her big toe, her very first movement, accompanied by the sound of a bell.

Cast 

Emile Hirsch as Austin Tilden

Brian Cox as Tommy Tilden

Ophelia Lovibond as Emma

Michael McElhatton as Sheriff Sheldon Burke

Olwen Kelly as Jane Doe

Parker Sawyers as Officer Cole

Production[edit]

Martin Sheen was initially cast as Tommy but pulled out.[2] Director André Øvredal said that Kelly, who played the corpse, had the most difficult role in the film, and he credited her with making everyone else comfortable on the set. Kelly was the first person interviewed for the role. Øvredal said they performed further interviews afterward, but he instantly knew she was right for the role. One of the reasons she was selected was her knowledge of yoga, which helped her control her body and breathing.[3] Production began in London, England, on March 30, 2015.[4]

Release 

The Autopsy of Jane Doe premiered at the Toronto International Film Festival on September 9, 2016.[1] It was released in the US on December 21, 2016.[3]

Reception 

Rotten Tomatoes, a review aggregator, reports that 87% of 46 surveyed critics gave it a positive review; the average rating is 6.8/10. The site's consensus reads: "The Autopsy of Jane Doe subverts the gruesome expectations triggered by its title to deliver a smart, suggestively creepy thriller that bolsters director André Ovredal's growing reputation."[5] Metacritic rated it 63/100 based on 16 reviews.[6] Dennis Harvey of Variety called it a "taut, yet often slyly funny scarefest", though he said the climax is unfulfilling.[7] Though he praised the acting, Stephen Dalton of The Hollywood Reporter called the film an "unsatisfactory compromise" of art-house and exploitation film.[8] Richard Whittaker of The Austin Chronicle wrote that Øvredal "constructs a sinister claustrophobia", then "elegantly and disturbingly unwraps the enigma".[9] Joe Lipsett of Bloody Disgusting rated it 5/5 stars and wrote, "Øvredal masterfully balances the requisite gore with some well-earned jump scares and a foreboding sense of doom."[10] Writing at Dread Central, Ari Drew described it as "mostly effective". Drew complimented the acting but criticized the film's exposition and scripting near the end.[11]

Watch Great Wall of China Free Online

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The Great Wall of China is a series of fortifications made of stone, brick, tamped earth, wood, and other materials, generally built along an east-to-west line across the historical northern borders of China to protect the Chinese states and empires against the raids and invasions of the various nomadic groups of the Eurasian Steppe. Several walls were being built as early as the 7th century BC;[2] these, later joined together and made bigger and stronger, are now collectively referred to as the Great Wall.[3] Especially famous is the wall built 220–206 BC by Qin Shi Huang, the first Emperor of China. Little of that wall remains. Since then, the Great Wall has on and off been rebuilt, maintained, and enhanced; the majority of the existing wall is from the Ming Dynasty (1368–1644).

Other purposes of the Great Wall have included border controls, allowing the imposition of duties on goods transported along the Silk Road, regulation or encouragement of trade and the control of immigration and emigration. Furthermore, the defensive characteristics of the Great Wall were enhanced by the construction of watch towers, troop barracks, garrison stations, signaling capabilities through the means of smoke or fire, and the fact that the path of the Great Wall also served as a transportation corridor.

The Great Wall stretches from Dandong in the east to Lop Lake in the west, along an arc that roughly delineates the southern edge of Inner Mongolia. A comprehensive archaeological survey, using advanced technologies, has concluded that the Ming walls measure 8,850 km (5,500 mi).[4] This is made up of 6,259 km (3,889 mi) sections of actual wall, 359 km (223 mi) of trenches and 2,232 km (1,387 mi) of natural defensive barriers such as hills and rivers.[4] Another archaeological survey found that the entire wall with all of its branches measure out to be 21,196 km (13,171 mi).[5]

Names
The collection of fortifications now known as "The Great Wall of China" has historically had a number of different names in both Chinese and English.

In Chinese histories, the term "Long Wall(s)" (長城, changcheng) appears in Sima Qian's Records of the Grand Historian, where it referred to both the separate great walls built between and north of the Warring States and to the more unified construction of the First Emperor.[6] The Chinese character 城 is a phono-semantic compound of the "place" or "earth" radical 土 and 成, whose Old Chinese pronunciation has been reconstructed as *deŋ.[7] It originally referred to the rampart which surrounded traditional Chinese cities and was used by extension for these walls around their respective states; today, however, it is much more often simply the Chinese word for "city".[8]

The longer Chinese name "Ten-Thousand-Mile Long Wall" (萬里長城, Wanli Changcheng) came from Sima Qian's description of it in the Records, though he did not name the walls as such. The ad 493 Book of Song quotes the frontier general Tan Daoji referring to "the long wall of 10,000 miles", closer to the modern name, but the name rarely features in pre-modern times otherwise.[9] The traditional Chinese mile (里, lǐ) was an often irregular distance that was intended to show the length of a standard village and varied with terrain but was usually standardized at distances around a third of an English mile (540 m).[10] Since China's metrication in 1930, it has been exactly equivalent to 500 metres or 1,600 feet,[11] which would make the wall's name describe a distance of 5,000 km (3,100 mi). However, this use of "ten-thousand" (wàn) is figurative in a similar manner to the Greek and English myriad and simply means "innumerable" or "immeasurable".[12]

Because of the wall's association with the First Emperor's supposed tyranny, the Chinese dynasties after Qin usually avoided referring to their own additions to the wall by the name "Long Wall".[13] Instead, various terms were used in medieval records, including "frontier(s)" (塞, sāi),[14] "rampart(s)" (垣, yuán),[14] "barrier(s)" (障, zhàng),[14] "the outer fortresses" (外堡, wàibǎo),[15] and "the border wall(s)" (t 邊牆, s 边墙, biānqiáng).[13] Poetic and informal names for the wall included "the Purple Frontier" (紫塞, Zǐsāi)[16] and "the Earth Dragon" (t 土龍, s 土龙, Tǔlóng).[17] Only during the Qing period did "Long Wall" become the catch-all term to refer to the many border walls regardless of their location or dynastic origin, equivalent to the English "Great Wall".[18]

The current English name evolved from accounts of "the Chinese wall" from early modern European travelers.[18] By the 19th century,[18] "The Great Wall of China" had become standard in English, French, and German, although other European languages continued to refer to it as "the Chinese wall".[12]

History
Main article: History of the Great Wall of China
Early walls

The Great Wall of the Qin

The Great Wall of the Han
The Chinese were already familiar with the techniques of wall-building by the time of the Spring and Autumn period between the 8th and 5th centuries BC.[19] During this time and the subsequent Warring States period, the states of Qin, Wei, Zhao, Qi, Yan, and Zhongshan[20][21] all constructed extensive fortifications to defend their own borders. Built to withstand the attack of small arms such as swords and spears, these walls were made mostly by stamping earth and gravel between board frames.

King Zheng of Qin conquered the last of his opponents and unified China as the First Emperor of the Qin dynasty ("Qin Shi Huang") in 221 BC. Intending to impose centralized rule and prevent the resurgence of feudal lords, he ordered the destruction of the sections of the walls that divided his empire among the former states. To position the empire against the Xiongnu people from the north, however, he ordered the building of new walls to connect the remaining fortifications along the empire's northern frontier. Transporting the large quantity of materials required for construction was difficult, so builders always tried to use local resources. Stones from the mountains were used over mountain ranges, while rammed earth was used for construction in the plains. There are no surviving historical records indicating the exact length and course of the Qin walls. Most of the ancient walls have eroded away over the centuries, and very few sections remain today. The human cost of the construction is unknown, but it has been estimated by some authors that hundreds of thousands,[22] if not up to a million, workers died building the Qin wall.[23][24] Later, the Han,[25] the Sui, and the Northern dynasties all repaired, rebuilt, or expanded sections of the Great Wall at great cost to defend themselves against northern invaders.[26] The Tang and Song dynasties did not undertake any significant effort in the region.[26] The Liao, Jin, and Yuan dynasties, who ruled Northern China throughout most of the 10th–13th centuries, constructed defensive walls in the 12th century but those were located much to the north of the Great Wall as we know it, within China's province of Inner Mongolia and in Mongolia itself.[27]

Ming era

The extent of the Ming Empire and its walls
Main article: Ming Great Wall
The Great Wall concept was revived again under the Ming in the 14th century,[28] and following the Ming army's defeat by the Oirats in the Battle of Tumu. The Ming had failed to gain a clear upper hand over the Mongolian tribes after successive battles, and the long-drawn conflict was taking a toll on the empire. The Ming adopted a new strategy to keep the nomadic tribes out by constructing walls along the northern border of China. Acknowledging the Mongol control established in the Ordos Desert, the wall followed the desert's southern edge instead of incorporating the bend of the Yellow River.

Unlike the earlier fortifications, the Ming construction was stronger and more elaborate due to the use of bricks and stone instead of rammed earth. Up to 25,000 watchtowers are estimated to have been constructed on the wall.[29] As Mongol raids continued periodically over the years, the Ming devoted considerable resources to repair and reinforce the walls. Sections near the Ming capital of Beijing were especially strong.[30] Qi Jiguang between 1567 and 1570 also repaired and reinforced the wall, faced sections of the ram-earth wall with bricks and constructed 1,200 watchtowers from Shanhaiguan Pass to Changping to warn of approaching Mongol raiders.[31] During the 1440s–1460s, the Ming also built a so-called "Liaodong Wall". Similar in function to the Great Wall (whose extension, in a sense, it was), but more basic in construction, the Liaodong Wall enclosed the agricultural heartland of the Liaodong province, protecting it against potential incursions by Jurched-Mongol Oriyanghan from the northwest and the Jianzhou Jurchens from the north. While stones and tiles were used in some parts of the Liaodong Wall, most of it was in fact simply an earth dike with moats on both sides.[32]

Towards the end of the Ming, the Great Wall helped defend the empire against the Manchu invasions that began around 1600. Even after the loss of all of Liaodong, the Ming army held the heavily fortified Shanhai Pass, preventing the Manchus from conquering the Chinese heartland. The Manchus were finally able to cross the Great Wall in 1644, after Beijing had already fallen to Li Zicheng's rebels. Before this time, the Manchus had crossed the Great Wall multiple times to raid, but this time it was for conquest. The gates at Shanhai Pass were opened on May 25 by the commanding Ming general, Wu Sangui, who formed an alliance with the Manchus, hoping to use the Manchus to expel the rebels from Beijing.[33] The Manchus quickly seized Beijing, and eventually defeated both the rebel-founded Shun dynasty and the remaining Ming resistance, establishing the Qing dynasty rule over all of China.[34]


Under Qing rule, China's borders extended beyond the walls and Mongolia was annexed into the empire, so constructions on the Great Wall were discontinued. On the other hand, the so-called Willow Palisade, following a line similar to that of the Ming Liaodong Wall, was constructed by the Qing rulers in Manchuria. Its purpose, however, was not defense but rather migration control.